These clusters are among the brightest, densest, and closest of those containing moderately massive stars.
Located in the constellation of Sagittarius (the archer), the beautiful Trifid Nebula is named for the three huge dark dust lanes that come together at its centre. One of the massive stars there was born approximately 100 000 years ago, making it very young.
The Soul Nebula is found in the constellation Cassiopeia. It is often viewed with IC 1805 and the pair is considered the "Heart and Soul Nebulae".
Un livre signé Jean Audouze, Jean-Claude Carrière et Erik Orsenna
Découvrez les plus belles et les plus spectaculaires images du cosmos. Au début du voyage auquel vous convie ce livre, la Terre, son environnement proche et notre système solaire. Plus loin, notre Galaxie, ses étoiles et nébuleuses. Plus loin encore, d’autres galaxies, isolées ou en interaction, naissantes ou finissantes. Tout au bout, l’incroyable carte des irrégularités du rayonnement fossile, qui marque le moment où l’Univers devient transparent. Ces images se cachent dans la profondeur céleste depuis toujours. La science moderne nous les donne enfin à voir.
Chacune d’entre elles pourrait être une peinture abstraite, et invite à la rêverie. C hacune d’entre elles est riche d’enseignement sur l’origine, la composition et l’histoire de notre Univers. Une promenade commentée par un savant et deux écrivains : Jean Audouze, Jean-Claude Carrière et Erik Orsenna s’allient pour raconter le ciel vu de la terre.
Physique / Chimie
14/10/2010
Jean Audouze, Jean-Claude Carrière et Erik Orsenna de l'Académie française
978-2-271-06606-0
26 x 25 cm - 70 photos - 160 pages - 29,00 €
"Merveilleux Cosmos" - Chroniques – Retrouvez toutes les chroniques de France Info - France Info
Twenty-two years after the death of Jean-Michel Basquiat, museums and art spaces the world over are celebrating his 50th birthday, which would have been next month. In California, one art dealer has assembled a special collection of ephemera and personal photographs of the artist, courtesy of a former lover.
This year, artist Jean-Michel Basquiat would have turned 50 years old. And in half-century celebration, there are events all over the world: In Paris, you can see more than 100 of his works at the Museum of Modern Art through January 2011, as well as a special exhibition at Galerie Pascal Lansberg. In other cities, you can catch Tamra Davis’s new documentary, The Radiant Child, centered on an interview the director shot with Basquiat 20 years ago. And in New York, a Basquiat exhibition was on display for much of the fall at the Robert Miller Gallery, in Chelsea.But in Los Angeles, there resides a much more personal collection. At LeadApron, a gallery on Melrose Place, gallerist Jonathan Brown has an unusual collection of ephemera: 112 pieces belonging to Basquiat, including self-portraits and even the signature bow tie he wore in his hair, all from the last year of his life.Brown acquired this collection about five years ago from an old friend, Kelle Inman, Basquiat’s last girlfriend. “Kelle had a real mothering instinct; she wanted to care for you,” Brown says. “I think that may have been some of her connection to Jean-Michel, because she spent the last year of his life with him. She nursed him, cared for him, and tried to help him get off drugs.”Inman and Basquiat met when she was working as a waitress at Nell’s; two days later, she was living with him. “She didn’t really know who he was,” says The Radiant Child director Tamra Davis, who knew Inman during the relationship.“My sense is she wasn’t starstruck, per se—more than he was someone in need,” adds Brown, of their relationship. All of the objects in the collection, given to her by Basquiat, belonged to Ms. Inman (who passed away in July). “Some of it has his handwriting on it; and some of it doesn’t, so it was difficult to authenticate outside of Kelle’s word—though everybody knew she was with him. There were pictures of them together; notes written to her, so there was no reason for her to manufacture anything,” he says.“It’s as if you’re working with a penumbra of an idea of someone’s life—this is just filling it in,” Brown says. “There are photos he took in New Orleans that he used as references for his artwork. He wrote on them, ‘4x5, one reg’—meaning he meant to blow them up and use them as source material. These are Basquiat’s curatorial picks—his edited life.… This is a trail—a genealogy of ideas.”http://www.vanityfair.com
